List of selected artworks. Maps for the tour in the museum

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  • September, 2014
    Education

    Acting in Shadows is an activity that aims to expand the artistic experience into a field of bodywork and theatricality. Created by Teatres de la Llum, this workshop seeks to explore the elements of theatricality in selected works from the collection of the Museo Reina Sofia, incorporating elements from the theater work, such as gesture, body language, scenographic composition and the expressive potential of light.

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    Debt, war, democratic revolutions
    16 september, 2014
    Seminars and conferences
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    Cities in revolt
    29 may, 2014
    Seminars and conferences Centro de estudios
  • February 2014
    Seminars and conferences Centro de estudios

    With the title After the Shipwreck. The Cinema of Aki Kaurismäki (1983-1996), The Museo Reina Sofia proposed in 2014 the first retrospective of the Finnish filmmaker in a museum of modern art. This interview, written as a conversation, reveals some of the keys to his films: the existential desolation mixed with parody and black humour, gritty realism revised by quotes and fable, an ethic but nihilistic gaze to society and above all, unwavering belief in cinema as a space of freedom.

  • January, 2014
    Exhibitions Live Arts

    Poetry lecture by Ben Okri on the opening of Elly Strik. Ghosts, Brides and other Companions, on January 22, 2014.

  • February, 2014
    Exhibitions Centro de estudios

    Guy Brett, the curator of the show Wols: Cosmos and Street, talks about this new approach to the work of the German artist, not only about his drawings and paintings, but also about his lesser known photographs.

  • What is the Anthropology of Images?

    Interview with Hans Belting

    October, 2013
    Seminars and conferences

    Author of some key studies in recent years in the field of art theory and visual culture, Hans Belting introduces in this video his influential anthropology of images project. It is defined as a methodology that takes part while distances itself from art history, while opening the discipline into the field of the analysis of images. The video of his interview, that includes related works in the Museo Reina Sofía Collection, was made on with the occasion of the fourth installment of the Master Lectures series.

  • November, 2013
    Activities Education

    One of Museo Reina Sofía’s objectives is to incorporate new strategies into its relationships with visitors: strategies that help visitors to understand and enjoy the content they see and also to conceive of the institution itself as a space for shared reflection. This will entail replacing the linear, one-way and exclusive narration with one that is more plural, in which the visitor’s contribution plays a decisive role and in which the art experience goes beyond mere contemplation.

    In order to move towards such a multiplicity of visions and to create this common space, the Museum has started a cultural education project. In this video, the team of cultural mediators explains the strategies, motivations, objectives and hopes of this innovative project that was launched just two years ago.

    The educational program has been made possible by the Fundación Banco Santander.

  • November, 2013
    Activities Live Arts

    This concert was organised in connection with the exhibition ± I96I. Founding the Expanded Arts. It is a performance of Inuksuit, a 1953 piece by John Luther Adams, conceived to be played by up to 99 musicians-percussionists, that took place on 6 October, 2013 in the patio of the Nouvel Building. The piece has been performed in New York, Melbourne, Canberra, Toronto, Berkeley, Ojai, Lisbon, the Hague and Belo Horizonte. 

  • November, 2013
    Exhibitions Centro de estudios

    Armando Montesinos, curator of the exhibition, explains in this interview the keys of Idea: Painting-Force. The works of Alfonso Albacete, Miguel Ángel Campano, Ferran Garcia Sevilla, Juan Navarro Baldeweg and Manolo Quejido, dating from 1978 to 1984, comprise the proposal put forward in the exhibition in Palacio de Velázquez, Parque del Retiro. They carried out this activity at the height of the crisis affecting the modern movement and the idea of the avant-garde. Plus, they were working in Spain, in a setting that, on the hinge between the 70s and the 80s, was experiencing some newly-arrived democratic liberties and whose artistic scene had derived from the dominant acritical formalism to the emergence of the market and the aesthetics of success.

  • July, 2013
    Activities Centro de estudios

    On June 19th, to mark the opening of the exhibition ± I96I Founding the Expanded Arts, the following performances were put on, with contribution from Simoni Forti: Huddle, Platforms, Slant Board, Accompaniment For Sound and Censor; all of them dating from 1961.

    ± I96I presents the first detailed analysis of the decisive year in the 1960s that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • July, 2013
    Exhibitions Centro de estudios

    The curators of this exhibition, Julia Robinson and Christian Xatrec, explain in this video some of the keys to understand why 1961 was a decisive year that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • The Collection Centro de estudios

    Produced on the occasion of the master lectures of 2011, this video offers a comprehensive theoretical introduction to modernism with the art historian TJ Clark. The author of Picasso and Truth: From Cubism to Guernica (2013) and Farewell to an Idea: Episodes from a History of Modernism (1999), among other seminal studies, TJ Clark discusses the ideas that shaped modernism (the process of secularization, the loss of the aura or the disenchantment with the world) and how these notions survive or have been transformed throughout history, placing special emphasis on the Museum's Collection.

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    Audiovisual series
    24 june, 2011
    Activities Cinema and video
  • Eduardo Coutinho

    the documentary and the word

    March 2013
    Activities Cinema and video

    Eduardo Coutinho (São Paulo, 1933 - Rio de Janeiro, 2014) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid demagogy, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. He was interviewed on the occasion of the film and video series Eduardo Coutinho. Retrospective, held at Museo Reina Sofía between February and April 2013.

  • July 2012
    Activities Education

    Construir universos is a workshop led by the young artist Ignacio Chávarri. In it the participants reinterpret the exhibition by the German artist, Rosemarie Trockel: a cosmos. The experiences they have in the rooms activate the creative process: the children take as their point of departure both the contents of the Museum and the items they find in their personal space (bedroom, drawers, backpack…) and they put them together in a private cosmos that contrasts with the collective cosmos that they create all together. 

     

  • If it were a movement

    Educational guided tour

    From 17 Octover 2012 to 5 July 2013
    Education
    This educational program explores new ways to appreciate the artistic process and sets out to break with the traditional staticity of people viewing art; the aim is to raise viewers' awareness of the physicality of the works and also of their own corporal
  • November 2012
    Activities Live Arts

    Fluxus to the People is a program of concerts, activities, guided tours, lectures and also a documentary exhibition, all of which explore the imagination of the collective, the idea of art as a community tool and the process of de-specialization of the artist figure that is at the heart of the Fluxus movement. This program has consciously been given the format of a festival. Firstly, it defends the playful and participatory nature of many of the avant-garde manifestations from 1960 onwards. Secondly, it explores new ways of approaching contemporary art through public activity.

     

  • July 2012
    Education

    The educational program Sound familiar?, for children and accompanying adults, consists of an interactive visit through some of the rooms of the Collection. It was designed by Pablo Martín Jones and is also performed by him, along with Raúl Márquez and David Escudero. Sound familiar? This activity is an educational and artistic project that offers a musical interpretation of certain pictorial works of the second and fourth floor of the Museo Reina Sofía Collection, in order to explore sensibilities other than the exclusively visual approach to different works of art.

  • From 4 July to 8 July, 2011
    Education

    Reinventing Space marks the inauguration of a new initiative in which young artists collaborate with the Museum in creating workshops designed for children. Exhibitions by Yayoi Kusama, Lygia Pape and Elena Asins serve as the context and material for the workshop.

  • May 2011
    Cinema and video

    What is the role of video in relation to the art institution? What paths and currents has video followed between its arrival and the current situation in Spain? This video comments on the program Video era. Setting and potential (80-00), held at the end of May 2011, which seeks to answer such questions, with a combined format of debate and screenings on four different dates.

  • March 2011
    The Collection Centro de estudios

    Structured around various core ideas, this interview with the author of the book Modernismo después de la postmodernidad (2011) shows the dilemmas arising between a revision of the melancholic and contemplative past, returned in the form of the architectural memorial, and a critical reading from the museum, in which history and memory are confronted. Huyssen discusses the foundations of a new modernism, which has future prospects and projects but lacks a geographical centre and power hierarchies.

  • December 2010
    Exhibitions Centro de estudios

    In this interview, Georges Didi-Huberman, the curator of the exhibition ATLAS. How to carry the world on one's back? contemplates the model of the atlas as a mechanism by which to reshape the sensory order of the world and the relationships that are established in the creation of knowledge. Taking the work of Aby Warburg as a point of departure, artistic production is contemplated as a montage, in which things, places and time can be reconfigured.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía.

    Emmanuel Rodríguez is a historian, sociologist, and co-founder of Universidad Nómada and Traficantes de Sueños, a militant project consisting in a bookshop association and an independent distribution chain in Madrid.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. María PTQK is a cultural producer, independent researcher, a consultant at the Universitat Oberta de Catalunya, and coordinator of projects with the collective Amasté.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Felipe G. Gil is a member of Zemos98, a cultural management collective that works in the fields of networked society, remix culture, and experimentation with formats.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Jara Rocha is coordinator of special projects at Medialab-Prado, a space oriented towards production, research and dissemination of digital culture and of the area of confluence between art, science, technology and society.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Hackitectura is a collective of architects, hackers and social activists who experiment with networks, public space and physical bodies.

  • From 2 to 3 July, 2010
    Seminars and conferences

    Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía.

  • February 2010
    Exhibitions Centro de estudios

    Nuevos Realismos: 1957-1962. Estrategias del objeto entre readymade y espectáculo (Museo Reina Sofía, 16 de junio al 4 de octubre) es una exposición sobre un momento cronológico concreto que, pese a su aparente dispersión, concentra diferentes puntos de inflexión y cambios de paradigma, desde el final de la pintura hasta la relación entre ready-made y mercado de consumo. Julia Robinson, historiadora del arte y comisaria de la exposición, presenta las diferentes posiciones y planteamientos que incluye la exposición. Artistas representados: Marcel Duchamp, Öyvind Fahlström, Allan Kaprow, Yves Klein, Raymond Hains, Piero Manzoni, Robert Rauschenberg, Mimmo Rotella, Jacques de la Villeglé, Robert Whitman, Christo, François Dufrêne, Roy Lichtenstein, Giuseppe Pinot Gallizio, Jean Tinguely, Robert Watts, George Brecht, Jim Dine, Claes Oldenburg, Daniel Spoerri, Martial Raysse, Robert Rauschenberg, Jean Tinguely, Wolf Vostell, Robert Watts, César, Gerard Deschamps, Niki de Saint Phalle, Robert Breer, Ben Vautier, Jean-Pierre Mirouze, D.A. Pennebaker, Billy Kluver y Ed van der Elsken.

  • May 2010
    Seminars and conferences

    For most of its existence, the museum has done the exact opposite. Far from recognising the tension between the inscrutability of meaning and the opening to another language in the modern art work, the museum has watered it down to a contemplation that has become an auratic ritual frozen in a distant past. Dos lecturas sobre la colección (Two readings on the collection), along with La Colección Reescrita (Rewriting The Collection) represents an attempt to reintroduce the staging of diverse timeframes and heterogeneous periods involving the historical narrative and its own materiality within the museum. In so far as it is an institution that orders objects, artefacts, documents and the relationships between these things and the public in a series of narrations, the museum must consider not only which stories it is to tell, but also what devices to employ for their narration.

  • February 2010
    Seminars and conferences

    Stricken bodies, mutant bodies: Losing the human form evokes an image of the 1980s in Latin America that draws a counterpoint between the devastating effects of violence on bodies, and the radical experiments of freedom and transformation that challenged the repressive order. Between horror and festivity, the selected materials show not only the atrocious consequences of countless disappearances and massacres occurring under the dictatorial regimes, states of siege and internal wars, but also the collective urges to create new ways of life, in continual revolution.

  • November 2009
    The Collection Centro de estudios

    The work of Juan Gris (1887-1927) has often been considered secondary and derivative; this video is a response to such affirmations. Through a visit to the room dedicated to him at Museo Reina Sofía, the work of this painter is re-evaluated, showing it to be the real source of the notions of analytic and synthetic cubism, based on a conception of painting as a poetic analogy of the world.