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  • February 2014
    Seminars and conferences

    With the title After the Shipwreck. The Cinema of Aki Kaurismäki (1983-1996), The Museo Reina Sofia proposed in 2014 the first retrospective of the Finnish filmmaker in a museum of modern art. This interview, written as a conversation, reveals some of the keys to his films: the existential desolation mixed with parody and black humour, gritty realism revised by quotes and fable, an ethic but nihilistic gaze to society and above all, unwavering belief in cinema as a space of freedom.

  • March, 2014
    Exhibitions

    Hanne Darboven is an artist that has delved into the languages of conceptual art and minimal art, which have opened new formal possibilities for expression in the second half of the century. Her numerical series and series of drawings have filled the rooms of many exhibitions and many museums, but her serialism is very different from the one found in the work of other minimalist artists who have also used numerical progressions, such as Sol LeWitt. In this exhibition we are going to find a set of series related to Darboven's everyday life, at home and at work.

  • January, 2014
    Exhibitions Live Arts

    Poetry lecture by Ben Okri on the opening of Elly Strik. Ghosts, Brides and other Companions, on January 22, 2014.

  • March, 2014
    Exhibitions

    The year of construction of the Palacio de Cristal, 1887, is also the year of many events such as the construction of the Eiffel Tower, the birth of Le Corbusier, the invention of the gramophone ... a century in which the production conditions change, industrial production starts, and objects, that start losing their specificity because of the mass production, led to the emerge of some ideas like inner monologue, free verse or more open forms of theater.

  • February, 2014
    Exhibitions

    Guy Brett, the curator of the show Wols: Cosmos and Street, talks about this new approach to the work of the German artist, not only about his drawings and paintings, but also about his lesser known photographs.

  • February, 2014
    Exhibitions

    For Amos Gitai, the documentary is human archaeology, whereas fiction is architecture. In this exhibition, the Middle East, his parents, and his family memories intermingle with his oeuvre, transcending into physical, audiovisual space, as well as dealing with the multilayered reality which conforms the current sociopolitical landscape.

  • What is the Anthropology of Images?

    Interview with Hans Belting

    October, 2013
    Seminars and conferences

    Author of some key studies in recent years in the field of art theory and visual culture, Hans Belting introduces in this video his influential anthropology of images project. It is defined as a methodology that takes part while distances itself from art history, while opening the discipline into the field of the analysis of images. The video of his interview, that includes related works in the Museo Reina Sofía Collection, was made on with the occasion of the fourth installment of the Master Lectures series.

  • January, 2014
    Exhibitions

    Artist Elly Strik talks in this video about the influence of Goya and Freud in her work, as well as the personal connection between her artistic production, her memories and her body. The exhibition Elly Strik. Ghosts, Brides and other Companions, conceived specifically for the galleries of Museo Reina Sofía explores, through drawings on paper with graphite and oil, the potential of physical metamorphosis processes in parallel with the artistic creation process.

  • November, 2013
    Activities Education

    One of Museo Reina Sofía’s objectives is to incorporate new strategies into its relationships with visitors: strategies that help visitors to understand and enjoy the content they see and also to conceive of the institution itself as a space for shared reflection. This will entail replacing the linear, one-way and exclusive narration with one that is more plural, in which the visitor’s contribution plays a decisive role and in which the art experience goes beyond mere contemplation.

    In order to move towards such a multiplicity of visions and to create this common space, the Museum has started a cultural education project. In this video, the team of cultural mediators explains the strategies, motivations, objectives and hopes of this innovative project that was launched just two years ago.

    The educational program has been made possible by the Fundación Banco Santander.

  • December, 2013
    Exhibitions
    In the following video the curator of the exhibition, Jean-François Chevrier, and the Director of the Museum, Manuel J. Borja-Villel, explain the ways in which artists endeavoured to transform the idea of the biographical account and broke with the conventions of biographism to elaborate freely on the basis of certain elements taken from their own life history.
     
    The exhibition Biographical forms. Construction and individual mythology reviews the narrative dimension of art in its relationship with literary manifestations. The selection of works analyses the binomial “life and work” as well as the identity and biography construction mechanisms that operate throughout 20th century artistic activity.
  • November, 2013
    Activities Live Arts

    This concert was organised in connection with the exhibition ± I96I. Founding the Expanded Arts. It is a performance of Inuksuit, a 1953 piece by John Luther Adams, conceived to be played by up to 99 musicians-percussionists, that took place on 6 October, 2013 in the patio of the Nouvel Building. The piece has been performed in New York, Melbourne, Canberra, Toronto, Berkeley, Ojai, Lisbon, the Hague and Belo Horizonte. 

  • November, 2013
    Exhibitions

    Armando Montesinos, curator of the exhibition, explains in this interview the keys of Idea: Painting-Force. The works of Alfonso Albacete, Miguel Ángel Campano, Ferran Garcia Sevilla, Juan Navarro Baldeweg and Manolo Quejido, dating from 1978 to 1984, comprise the proposal put forward in the exhibition in Palacio de Velázquez, Parque del Retiro. They carried out this activity at the height of the crisis affecting the modern movement and the idea of the avant-garde. Plus, they were working in Spain, in a setting that, on the hinge between the 70s and the 80s, was experiencing some newly-arrived democratic liberties and whose artistic scene had derived from the dominant acritical formalism to the emergence of the market and the aesthetics of success.

  • October, 2013
    Exhibitions

    In this video, Manuel Borja-Villel, the director of the Museum, explains how this exhibition takes a close look at art produced in Spain and abroad during the 1980s and 1990s. Minimal Resistance centres on the search by artists of new spaces for resistance in a globalised world and it examines a series of dualities that polarized the period covered: from the global economic crisis to financial capitalism, from the potential of the collective to the recovery of the myth of the artist, from actions claiming public space to discourses around memory and the body, from a kind of theatricality emphasising scenography and architecture to performative languages and relational models and from the restoration of traditional genres to the appropriation of images from mass media and mass culture.

  • October, 2013
    Exhibitions

    In this video the artist Chris Killip explains his work in the field of photography and talks about his artistic influences. An essential figure in documentary photography, Killip’s work reflects the fascination and respect he feels for ordinary life and people, finding a form of expression that underscores the social and cultural peculiarities that characterised the period.
    The exhibition contains a selection of over a hundred images taken between 1968 and 2004.

  • September, 2013
    Exhibitions

    In this video Manuel Borja-Villel, the director of the Museum, explains the works created by Gabriel Acevedo Velarde, Maria Loboda, Alejandra Riera and Manuel Saiz specifically for the Fisuras program.

    The project Paranormal Citizen, by Gabriel Acevedo Velarde, makes use of televised stories about paranormal experiences to analyse and create narratives about the intermediate space between institutions and individual subjectivity. Maria Loboda, in The Beasts, engages in a kind of contemporary archaeology that starts with the recontextualization of objects containing various strata of meaning, in such a way that what is shown - even though it is inscribed in a place of safety such as a museum - has a potentially threatening dimension. Poétique(s) de l’inachèvement [Poetics of incompleteness] initiated by Alejandra Riera is the title chosen by the artist for a project that lingers in certain experiences so dense that film cannot take them in, although it does accompany them. Finally, One True Art - 16 Responses to the Question What Art is, by Manuel Saiz, is a performative artistic experiment the aim of which is to formulate a definition of art or to reflect on the reasons that such a definition is impossible.

  • September, 2013
    Exhibitions

    In this video, the curator of the exhibition João Fernandes and the artist Roman Ondák explain this work generated specifically for the Palacio de Cristal (Parque del Retiro), characterized by its questioning of the work of art in relation to the conventions generated by the place and space in which it appears

    The artist here adds a new architectural element to the existing building that takes material form in an elevated walkway running all around it. This walkway, accessed from inside the building, offers all its visitors the opportunity of a new perception of the space, for the Palacio de Cristal can now be looked into from the outside in a way not previously permitted by its architecture.
  • August, 2013
    Exhibitions

    All of the poetic suggestions and all of the plastic possibilities presents Dalí as an omnivorous and visionary artist who used himself as an object of study, and whose actions in the public sphere, whether they were calculated or improvised, made him an essential figure in the sphere of contemporary representation. The exhibition focuses primarily on his surrealist period. Special attention is devoted to his paranoid-critical method, which he developed as a mechanism for the transformation and subversion of reality, allowing the final interpretation of a work to depend totally on the viewer.

  • July, 2013
    Activities

    On June 19th, to mark the opening of the exhibition ± I96I Founding the Expanded Arts, the following performances were put on, with contribution from Simoni Forti: Huddle, Platforms, Slant Board, Accompaniment For Sound and Censor; all of them dating from 1961.

    ± I96I presents the first detailed analysis of the decisive year in the 1960s that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • July, 2013
    Exhibitions

    The curators of this exhibition, Julia Robinson and Christian Xatrec, explain in this video some of the keys to understand why 1961 was a decisive year that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • The Collection

    Produced on the occasion of the master lectures of 2011, this video offers a comprehensive theoretical introduction to modernism with the art historian TJ Clark. The author of Picasso and Truth: From Cubism to Guernica (2013) and Farewell to an Idea: Episodes from a History of Modernism (1999), among other seminal studies, TJ Clark discusses the ideas that shaped modernism (the process of secularization, the loss of the aura or the disenchantment with the world) and how these notions survive or have been transformed throughout history, placing special emphasis on the Museum's Collection.

  • June, 2013
    Exhibitions

    The curator of the Cildo Meireles exhibition, João Fernandes, along with the artist himself, discuss the relationship between this artist's work and the spectator's sensorial experience, the critical use of ideological and economic circulation systems, and the ethical connection with the world. The exhibition comprises works and installations being presented for the first time and also others that are among the artist's lesser known creations.

  • April, 2013
    Exhibitions

    Montse Aguer, one of the exhibition's curators, takes viewers on a tour of the Salvador Dalí show, putting forward a new vision of the artist as a thinker, writer and creator of a very particular vision of the world. The exhibition comprises approximately two hundred works and is organised into eleven sections that follow something of a chronological order. The works on display date from the early years of his career up through his religious and mystical phases, his period of experimentation with scenography and also the end of his career, which was closely linked to science and technology.

  • April, 2013
    Exhibitions

    In this video the artist Cristina Iglesias explains the keys to her exhibition "Metonymy." This retrospective looks at her interest in sculpture as an expanded field in which to question objects and their relationship with space and architecture. Her sculptures integrate with the architecture of the places they occupy, and thus play with the interweaving of reality and appearances.

  • April 2013
    Exhibitions

    In this video the artist Azucena Vieites explains the process she carries out in her work of appropriation and iconographic resignification of materials and references linked to the contemporary cultural imaginary, using drawing and collage as her main work tools. 
    Also, preceding Vieites' exhibition at Museo Reina Sofía a children's workshop called Coloring Book took place, in which a group of children modified, by coloring them in, some of her drawings.

     

  • January 2013
    Exhibitions

    Gabriel Pérez-Barreiro, director of the Patricia Phelps de Cisneros Collection and curator of the exhibition Concrete Invention, provides an explanation of this show about the development of concrete abstraction in Latin America from the 1930s to the 1970s.


    Revolving around 4 countries –Argentina, Uruguay, Brazil and Venezuela– and five guiding concepts– Geometry, Dialogue, Ilusion, Universalism and Vibracion– the exhibition includes works such as “Book of Creation” by Lygia Pape or “Physichromie500” by Carlos Cruz-Díez, as well as some conceptual pieces like the iconic “Fio” by Cildo Meireles.

  • Eduardo Coutinho

    the documentary and the word

    March 2013
    Activities Cinema and video

    Eduardo Coutinho (São Paulo, 1933 - Rio de Janeiro, 2014) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid demagogy, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. He was interviewed on the occasion of the film and video series Eduardo Coutinho. Retrospective, held at Museo Reina Sofía between February and April 2013.

  • March 2013
    Exhibitions

    The artist Mitsuo Miura in Imagined memories, his intervention in Palacio de Cristal, he delves into two of the aesthetic themes that give expression to his artistic vocabulary: geometric shapes and pure colours. For this building, one of Museo Reina Sofía's two secondary sites in Parque del Retiro, his proposal begins on the pictorial level and extends to the spatial level, through circles of colours distributed on the floor and suspended from the ceiling.

  • January 2013
    Exhibitions

    Joshua Chuang, the curator of the exhibition, leads viewers through this collection of photographs by Robert Adams. With a photographic style that is austere and direct yet also full of nuance and expressive potential, Robert Adams (Orange, New Jersey, 1937) has been widely regarded as one of the most lucid chroniclers of the profound changes taking place in the landscape of the American West in recent decades.
    The Place We Live, the first retrospective on Robert Adams to be held in Spain, takes a look at the main projects undertaken by this photographer

  • July 2012
    Activities Education

    Construir universos is a workshop led by the young artist Ignacio Chávarri. In it the participants reinterpret the exhibition by the German artist, Rosemarie Trockel: a cosmos. The experiences they have in the rooms activate the creative process: the children take as their point of departure both the contents of the Museum and the items they find in their personal space (bedroom, drawers, backpack…) and they put them together in a private cosmos that contrasts with the collective cosmos that they create all together. 

     

  • September 2012
    Exhibitions

    This exhibition looks at how Antonin Artaud's desire to transcend the limits of language – both spoken and written – lived on in the work of a series of creators linked to the avant-garde movements of the mid 20th century. 
    The curators Kaira Cabañas and Frédéric Acquaviva take us through this selection that includes about three hundred works. 

  • October 2012
    Exhibitions

    The team of Spanish and international curators responsible for the exhibition Encounters with the 1930s takes us on a tour through this show, which is divided into in six sections: realism; abstraction; international expositions; surrealism; photography, film and posters; and Spain: the Second Republic, the Civil War and exile. The show gives priority to the connections existing between artists and the moments of fracture and stylistic eclecticism, emphasizing the diversity, audacity and complexity of the art made during that decade.

  • If it were a movement

    Visita guiada educativa

    From 17 Octover 2012 to 5 July 2013
    Education
    This educational program explores new ways to appreciate the artistic process and sets out to break with the traditional staticity of people viewing art; the aim is to raise viewers' awareness of the physicality of the works and also of their own corporal
  • November 2012
    Activities Live Arts

    Fluxus to the People is a program of concerts, activities, guided tours, lectures and also a documentary exhibition, all of which explore the imagination of the collective, the idea of art as a community tool and the process of de-specialization of the artist figure that is at the heart of the Fluxus movement. This program has consciously been given the format of a festival. Firstly, it defends the playful and participatory nature of many of the avant-garde manifestations from 1960 onwards. Secondly, it explores new ways of approaching contemporary art through public activity.

     

  • July 2012
    Education

    The educational program Sound familiar?, for children and accompanying adults, consists of an interactive visit through some of the rooms of the Collection. It was designed by Pablo Martín Jones and is also performed by him, along with Raúl Márquez and David Escudero. Sound familiar? This activity is an educational and artistic project that offers a musical interpretation of certain pictorial works of the second and fourth floor of the Museo Reina Sofía Collection, in order to explore sensibilities other than the exclusively visual approach to different works of art.

  • July 2012
    Exhibitions

    Nacho Criado (Mengíbar, Jaén, 1943 – Madrid, 2010) is considered one of the most important figures in the last 40 years of experimental art in Spain. The Palacio de Velázquez, one of the Museum's venues in Parque del Retiro, offers a retrospective of his work, providing insight into the multitude of media, practices and homages present in his art, and also their material realization. The Palacio de Cristal, the other Reina Sofía venue in the park and the second site of the retrospective, reconstructs the 1991 exhibition Piezas de agua y cristal, where cultivated mushrooms exemplify the 'collaborating agents' that give this exhibition its name.

  • July 2012
    Exhibitions

    Conversation with Lynne Cooke, the exhibition curator, and the artist Sharon Hayes (Baltimore, Maryland, 1970). Using methodological and conceptual strategies drawn from various spheres of discourse, Hayes' projects explore the relations between history, politics and language, using performances, videos and installations to create a collective imaginary. These processes of documenting a historical event end up conditioning the gaze of the individual, leading to a critical reflection about the frictions generated between the public and the private.

  • May 2012
    Exhibitions

    Conversation with Lynne Cooke, the curator of the exhibition devoted to the German artist Rosemarie Trockel. Trockel's work explores different methods and a wide range of materials, thereby eluding classification. Her creations question the legitimizing categories of art, social order and gender identities. Also, in this collection, Trockel gives her attention to lesser known artists, chosen out of the empathy she feels for the frankness and inventiveness with which they look at questions that she too asks herself.

  • March 2012
    Exhibitions

    In this video, Walter Grasskamp, art historian and critic, and Hans Haacke himself present the exhibition Castles in the air. Associated with North American conceptual art and a pioneer of what is known as institutional critique, Haacke, through his work, questions museum, political and economic institutions in the context of today's globalized society.

  • March 2012
    The Collection

    This video looks at Museo Reina Sofía's Collection 3, giving special attention to the set up of the exhibition and to the contributions made by Manuel Borja-Villel, the director of the Museum, Rosario Peiró, the head of the Collections Department, and Jesús Carrillo, the head of Cultural Programs. Learning about the set-up process helps expand visitors' vision and enriches their understanding of this section of the newly arranged Collection, starting with the projection of works in the exhibition rooms where the stories are told, with commentary by the people directly involved.

  • January 2012
    The Collection

    In this video, the director of the Museum, Manuel Borja-Villel, the head of the Collections Department, Rosario Peiró and the head of Cultural Programs, Jesús Carrillo, discuss some of the key ideas that make up the new Collection rooms. The visit, which covers the two floors of the Nouvel building, explores a field in continual expansion: practices that no longer follow a single direction but rather come from positions that are not only markedly different, such as tropicalism and feminist art, but also from artistic practices that overlap with one another and others that choose to intervene in repressive contexts such as the dictatorships in Spain and Latin America.

  • December 2011
    Exhibitions

    Conversation with Daina Augatis, curator of the exhibition, and the artist Antoni Muntadas on Entre/Between. This exhibition, structured into nine blocks or "thematic constellations" is a complex, non-linear reading of Muntadas' work. In it numerous collaborative and multi-disciplinary projects are shown, from the early years to the piece Situación 2011, created especially for this exhibition.

  • November 2011
    Exhibitions

    Conversation with the artist Soledad Sevilla about her exhibition in the Palacio de Cristal, in Madrid's Parque del Retiro, where she created an installation specifically for this site. Language, geometry, light and the spectator's experience are some of the elements that contribute to this exhibition. A large aluminum structure and a series of polycarbonate panels recreate a night sky dotted with linguistic signs.

  • October 2011
    Exhibitions

    Manuel J. Borja-Villel, the exhibition curator, presents the artist Elena Asins' work and discusses the key elements of her role and her contributions to the history of art. In addition, the artist herself contextualizes her work following her collaboration with the Computation Centre, and analyses the multiple media and formats used in her artwork (concrete poetry, drawing, video...).