List of selected artworks. Maps for the tour in the museum

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  • Video
    January 2015
    Exhibitions

    From public space, using the city as the main point of reference and the territory of the Internet, Daniel G. Andújar builds a cultural discourse through digital media and technologies. Using irony and strategies to present new media technologies, he questions, reviews and reflects on the democratic and egalitarian promises of this media, whilst also criticising the will to control concealed behind its apparent transparency.

  • Video
    May 2015
    The Collection

    After the intervention project that has been taken in the work Portrait of Joella by Salvador Dali and Man Ray, this important surrealist object returns to the Collection galleries.

    Portrait of Joella, is a pictorial intervention of Salvador Dalí on a portrait in plaster that Man Ray had made of the gallerist´s wife, Joella Bayer in 1933. It is a work in full development of his paranoiac-critical method, a proposal to allow associations of images with their hidden meanings, often related to sexuality and death.

    This video, produced by the Museum, collects the interesting conservation process carried out, in which those responsible for the intervention explain the study's findings.

  • Video
    May 2015
    Exhibitions

    The work of Ree Morton (Ossining, New York, 1936 – Chicago, 1977) can be found in the specific art scene in the USA in the early 1970s, characterised by a strong reaction to post-war Abstract Expressionism, reflected in Minimal art, on the one hand, and Conceptual Art and Pop Art on the other. Nevertheless, her work is more akin to the art strategies that emerged around movements such as Pattern and Decoration, Fiber Art or, in Lucy R. Lippard’s definition, “Eccentric Abstraction”.

  • Video
    June 2014
    Exhibitions

    In this interview, artist Kerry James Marshall (Birmingham, Alabama, 1955; currently resident of Chicago), talks about the reasons why he chose to address themes related to life, culture and Afro-American history, until that moment barely represented, approached through multiple lenses to provide new visions of issues connected to racial politics, cultural representation and social emancipation.

  • Video
    June, 2013
    Exhibitions

    The curator of the Cildo Meireles exhibition, João Fernandes, along with the artist himself, discuss the relationship between this artist's work and the spectator's sensorial experience, the critical use of ideological and economic circulation systems, and the ethical connection with the world. The exhibition comprises works and installations being presented for the first time and also others that are among the artist's lesser known creations.

  • Video

    Resonance

    Concerts for Another Listening

    June, 2015
    Activities Live Arts

    Resonance is a series of sound interventions for a specific site, activating the acoustic and historical space in the Museo Reina Sofía’s Sabatini Building. The programme refrains from using the auditorium and electronic amplification, which means guest artists, musicians and composers will present a series of pieces that set in motion alternative contexts for sound and contemporary music.

    This series lays out a set of interventions that work with unwanted echoes and resonances, developing the properties sound possesses, depending on where it is produced – a quality that the careful design of auditoriums, speakers and earphones have tried to make us forget.

  • Video
    May 2015
    Exhibitions

    Curator Yasmil Raymond and Manuel Borja–Villel talk about this retrospective of Carl Andre, that features around 200 sculptures and works on paper produced over the past 50 year. This selection help us to understand his progressive concept of “sculpture as form, sculpture as structure, sculpture as place” and, in addition the exhibition focuses on the key role of language in Andre’s artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp’s readymades.

  • Video
    April 2015
    Exhibitions

    Actively working since the mid 1980s, Federico Guzmán (Seville, 1964) has always viewed artistic practice as a commitment to his environment. As a part and consequence of his personal experience in the Sahara, Federico Guzmán has erected a huge Bedouin tent to enter into dialogue with the Palacio de Cristal. In Hassaniya Tuiza means solidary collective work: coming together, participating and building something jointly. Therefore, this tent is presented as a space for hospitality and conversation between cultures, holding workshops and other collective activities. This programme of activities endeavours to become tuiza, a space to decolonise the imagination and articulate knowledge and sensibility circulating from south to south, without stopping at the homogenisation of the centre or the Western narrative.


  • Video
    March 2015
    Exhibitions

    Coinciding with the work to expand the Kunstmuseum Basel, a selection of over one hundred masterpieces from its twentieth-century collection are on show in the Museo Reina Sofía. This ensemble aims to offer a broad panorama of the transition of modern and contemporary art, including examples of such diverse movements as Expressionism, Cubism, Purism, Abstraction, Constructivism, Minimalism, German Post-expressionism, Post-war American Abstraction and Pop Art. Also, two standout art collections from early modernism are brought together, and today form part of the holdings of the Kunstmuseum Basel (Switzerland), the Im Obersteg Collection and the Rudolf Staechelin Collection, that look to delve deeper into the catalysing phenomenon of collecting at the start of modernism and emphasise its central position in the framework of modern art, together with the work of artists, critics and curators.

  • Video
    February 2015
    Exhibitions

    Not Yet. On the Reinvention of Documentary and the Critique of Modernism approaches the debates that took place in the 1970s and 1980s surrounding the photographic document as a critique of modern art and institutions. A new generation of artists came on the scene at the time, and, in recovering the political origin of worker photography from the 1920s, began the reinvention of documentary practices, understood in parallel to the critique of the forms of modernism inherited from the Cold War.

  • Press
    Museo Reina Sofía. Sabatini building. Facade

    The Museum

    The Museum

    The Museo Reina Sofía opened its doors in 1990 to show the contemporary Spanish art in relation to the international context. Its collection consists of more than 20,000 works from the late nineteenth century to the present, five percent of which is exhibited at the Museum and includes works by artists such as Pablo Picasso, Joan Miró, Salvador Dalí, Juan Gris, Robert Delaunay, Georges Braque, Yves Klein, Robert Motherwell, Francis Bacon, Richard Serra, Alexander Calder, René Magritte, Gerhard Richter, Antoni Muntadas, Michelangelo Pistoletto, Sol LeWitt or Marcel Broodthaers, among many more. The centerpiece is Guernica (1937), by Pablo Picasso.

  • Press
    Collection 1. The Irruption of the 20th Century: Utopias and Conflicts (1900-1945)

    Collection 1. The Irruption of the 20th Century: Utopias and Conflicts (1900-1945)

    Sabatini Building, Floor 2
    The Collection

    The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones. The avant-garde, in its reinvention of the subject, of the public and of the art world, becomes the symptom of the new 20th Century. While Cubism defines the modern, ephemeral and multiple gaze, Dada and Surrealism free the subject from the moral and social repression, giving free reign to desire and to the social and individual unconscious.

  • Press
    Collection 2. Is the War Over? Art in a Divided World (1945-1968)

    Collection 2. Is the War Over? Art in a Divided World (1945-1968)

    Sabatini Building, Floor 4
    The Collection

    On the fourth floor, the Collection covers the artistic transformations occurring in the post-war period, during the development of the tension-ridden international geopolitical scenario involving two different worlds and two antagonistic systems, the United States and the Soviet Union.

  • Press
    Richard Hamilton. Just what is it that makes today’s homes so different, so appealing?, 1956/1992. Collage. 26 x 25 cm. Private collection. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    June 27 - October 13, 2014

    Richard Hamilton (25/06/2014)

    Sabatini Building, Floor 3
    Exhibitions

    By virtue of more than 250 works produced between 1949 and 2011, this exhibition offers a comprehensive retrospective look at the work of Richard Hamilton (London, 1922 – 2011), a key figure in Pop Art and one of the most influential British artists of the 20th century.

  • Press
    Hicham Benohoud-The class. Serie. Artist and Galerie VU courtesy.
    29 October 2014 - 9 February 2015

    Really useful knowledge (29/10/2014)

    Sabatini Building. Floor 1
    Exhibitions

    The notion of "really useful knowledge" was originated from the workers' awareness of the need for self-education in the early 19th century. In the 1820s and 1830s, workers' organizations in United Kingdom introduced this phrase to describe 'unpractical' knowledge like politics, economics and philosophy, as opposed to what factory owners proclaimed to be “useful knowledge”. Some time earlier capitalists began investing in advancement of their businesses through funding the education of workers in 'applicable' skills and disciplines such as engineering, physics, chemistry or math.

    Through this reference to the beginnings of struggle against exploitation and the early efforts towards self-organized education of workers, the exhibition “Really Useful Knowledge” looks into issues around education from contemporary perspective.