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Joseph Beuys

6 april, 1994 - 23 april, 1994 /
Sabatini Building, Auditorium

The concept of extended art as designed and practiced by Joseph Beuys (Krefeld, 1921 - Düsseldorf, 1986) requires communication routes that go beyond traditional exhibition forms, in addition to photography and text. Actions are a central medium in his work, as are his appearances in public during conferences and debates and the long-term processes that he initiated with projects like 7,000 Oaks. The structural elements in these works can be captured by film and video. By recording the images and sounds of these events and actions, which date back many years in Beuys’ oeuvre, they can be more intensely reproduced, while the visual documents offer reliable material for analysis at the same time. This series of screenings presents an approach to the themes in Joseph Beuys’ work with the assistance of extracts and examples from the artist’s audiovisual legacy that include hundreds of scenes in order to illustrate his human side and illuminate the incredibly complex structure of his artistic work from another angle. The videos and films that recorded his actions, like Eurasia Siberian Symphony, Celtic and Filz TV, contain numerous references to earlier situations and contexts for using the materials and objects that form part of installations today as reminiscences of his actions or are found in collections as isolated pieces. In this way, it is possible to experience the genesis of specific works and the nature of the process of the overall work. The visual documents complete the installations and the exhibited objects.

According to Beuys, the recordings of actions and installations on video and film were not planned to be stored under lock and key in the cabinets of collectors and museums where they can only engage a small part of his revolutionary energy; they needed to be exhibited to the public.

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