List of selected artworks. Maps for the tour in the museum

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Action Behind the Margins

9 june, 2010 - 24 june, 2010 / Sabatini Building, Auditorium

Joan Jonas. Songdelay, 1973. Cortesía Electronic Arts Intermix, Nueva York
Joan Jonas. Songdelay, 1973. Cortesía Electronic Arts Intermix, Nueva York

The inaugural conference, Mixed Use, Manhattan, explores photographs taken in New York from the 1970s on, focusing on contemporary artists like Zoe Leonard (New York, 1961) who engage with the artistic practices of their predecessors, including Peter Hujar (New Jersey, 1934-New York 1987) and his nocturnal photographs taken on Manhattan’s West Side in 1976.

Drawing on urban theory, Rosalyn Deutsche and Johanna Burton in Art and Silence in the City question whether the art in Mixed Use, Manhattan really represents resistance to the appropriation of space by private enterprise and the state.

The session entitled History, Memory and Space consists of a dialogue between Juan Antonio Suárez and the artist Matthew Buckingham (Nevada, 1963), looking at some of the central themes in his work: the reading of space through history and history through space, the contrast between official history and subaltern micro-histories and the material embodiment of collective memory.

The city is no longer seen as a geometric extension or field of vision, but as a medium for the distribution of resistance, transitions and actions that often seek to counteract the most oppressive and homogenising inertias of contemporary time. Occupations and Evictions offers a journey through the different ways in which experimental video and film have depicted and intervened in the urban landscape of Manhattan since the 1970s.

In The Spatial Aesthetic of Urban Renovation, Ann Reynolds looks at the relationship between the city and works of art including performance pieces, film and video. All are equally fleeting and open to dematerialization, but they form part of the collective memory of New York, even though the spaces that they represent have ceased to exist.

The programme needs to be included, along with the conferences.

  • Curatorship: Douglas Crimp and Juan Antonio Suárez