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The initiatives designed to bring about artistic renewal in Spain in the late forties took shape the following decade as abstract painting developed and Surrealist trends declined. Groups such as Pórtico and forums for artistic debate such as the School of Altamira favoured the presence of abstract art, which became the only possible modernist alternative. |
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| Joan Miró. La sonrisa de alas flameantes, 1953 | Ángel Ferrant. Majestad, 1951 | Antoni Tàpies. Personaje, 1950 |
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