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During the first decades of the 20th Century, two trends prompt the arrival of a new artistic scenario. From 1911 onwards, especially in the context of Catalan art, we witness the Noucentista proposal. During the Great War, the echoes of the first European avant-garde reverberate throughout the Iberian Peninsula. Miró's synthesis is one of the first landmarks of this visual renewal. In the context of Madrid, the dialectic between noucentisme and avant-garde is represented by the intellectuals and writers from the Generation of '14, together with the influential capacity of Rafael Barradas (1890-1929), whereas Daniel Vázquez Díaz (1882-1969) acts as a bridge between the scenes of Bilbao and Madrid. These dynamics, generated by the confluence of noucentisme, avant-garde and the call to order, go beyond the generational framework. The young Salvador Dalí (1904-1989) transports these dynamics to Madrid, where other young artists such as Francisco Bores (1898-1972), Benjamín Palencia (1894-1980) or Alberto Sánchez (1895-1989) pose an encounter with the new esthetic keys.
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