Floor 2

Room 207


The New Figuration. Between Classicism and Superrealism


As an answer to the revolutionary nature of the avant-garde and the climate of political instability after World War I, in the 1920's and 1930's there is a "call to order" in the European art world. Its origin is situated in metaphysical Italian painting and in German Neue Sachlichkeit (New Objectivity). It involved a re-reading of traditional genres through a return to representation and to a set of figurative visual codes which would reveal the tensions between Modernity and Anti-Modernity. In Spain, artists such as Ángeles Santos (1911), Alfonso Ponce de León (1906-1936), o the Salvador Dalí (1904-1989) of the 20's, would move between magical realism, metaphysical painting, Surrealism and even Hyper-Realism, with no perceived contradiction. On the contrary, this nomadism was characteristic of those years.


Room information



Salvador Dalí. Muchacha de espaldas, 1925

 

José de Togores. Pareja en la playa, 1922

 

Ángeles Santos. Tertulia, 1929

Salvador Dalí. Muchacha de espaldas, 1925

 

José de Togores. Pareja en la playa, 1922

 

Ángeles Santos. Tertulia, 1929

 

 

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