Videos 2010Serge Guilbaut. Is the war over? The author of the book De cómo Nueva York robó a París la idea de arte moderno (Madrid, 1990) talks about the new post-war scenario characterised by disputes about cultural hegemony. ATLAS. Interview with Georges Didi-Huberman In this interview, Georges Didi-Huberman, the curator of the exhibition ATLAS. How to carry the world on one's back?, contemplates the model of the atlas as a mechanism by which to reshape the sensory order of the world. : VAL DEL OMAR overflow. Conversation with Eugeni Bonet and Javier Ortiz Echagüe A video of a conversation with Eugeni Bonet, curator of the exhibition, and Javier Ortiz-Echagüe, assistant curator of the exhibition, at Museo Reina Sofía. Hans-Peter Feldmann. An art exhibition Interview with Helena Tatay, curator of Hans-Peter Feldmann. An art exhibition about the constants that inform Feldmann's relationship with images, art history and the audience. Those Of Us Who Enjoy Working. Traficantes de Sueños Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. María PTQK Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. Zemos 98 Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. Exgae y Conservas Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. MediaLab Prado Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. Hackitectura Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. Those Of Us Who Enjoy Working. Entrevista a Creadorxs Invisibles Interview produced during "For Those Of Us Who Enjoy Working". Workshops on precariousness and self-organization in "creative" work, organized by Traficantes de Sueños, YProductions, Casa Invisible, Universidad Nómada and Museo Reina Sofía. The Potosí Principle Artists and Contexts The artists participating in The Potosí Principle discuss how the project involves a critical analysis of a specific social, economic and political context. The Reverse Side of The Potosí Principle. Silvia Rivera Cusicanqui An interview with Bolivian sociologist and anthropologist Silvia Rivera Cusicanqui, author, together with El Colectivo, of Principio Potosí Reverso (Museo Reina Sofía, 2010) Douglas Crimp and Lynne Cooke. Mixed Use, Manhattan Introduction to Mixed Use, Manhattan Photography and Related Practice 1970's to the Present by Douglas Crimp and Lynne Cooke, curators of the exhibition. Jessica Stockholder. Peer Out to See Presentation by the artist of the site-specific installation produced in the Crystal Palace in Madrid's El Retiro Park between July 2010 and February 2011. Miralda. De gustibus non disputandum A conversaction with Antoni Miralda (Barcelona, 1942) on his comprehensive retrospective and on how the artist engages the exhibition from the vantage point of a work process related to public life, the street, and celebration. One of the most significant artists in the feminist and community movements since the 1970s, this is the video of the presentation of the lecture by Suzanne Lacy in The Tattooed Skeleton, a project about gender violence and its representation in the public sphere. The exhibition New Realisms: 1957-1962. Object strategies between readymade and spectacle covers an undefined chronological moment, halfway between abstract expressionism and pop, that also encompasses other artistic tensions, which are introduced by the curator, Julia Robinson. The Potosi Principle is a publishing and exhibition project that questions modernity by looking at its relationship with contemporary geopolitics. The European process of emancipation, seen from the south, is presented as a cycle of domination and global exploitation that started in the 16th century and is still taking place. Drifts and derivations reflects a series of architectural experiences and projects that offer another version of the modern movement in architecture, arising from contact with Latin America. The curators, Lissette Lagnado and María Berrios, introduce these shifts. Video of the conversation held by Lynne Cooke, Julian Heynen and Thomas Schütte, regarding the anthological exhibition Retrospection, on the different stages, influences, installations and sculptures by the German artist. Two readings of the collection The artists Rosa Barba and Juan Luis Moraza were invited to organize an exhibition using items that belong to the collection but are not on display. The result is Two readings of the collection. Martín Ramírez. Reframing confinement Often considered an outsider artist, the work of Martín Ramírez (1895-1963) shows the weakness and artificiality of such assumptions. Brooke Davies Anderson, curator of the exhibition, introduces the artist while also presenting Reframing Confinement. Presentation of the book Conceptualismos del Sur/Sul Coordinated by Cristina Freire and Ana Longoni, this book is the result of the seminar Conceitualismos do Sul/Sur, which took place at Museu de Arte Contemporânea (University of São Paulo) in April of 2008. The book presentation was held at the Centro Cultural de España in Buenos Aires. Tacita Dean: The Friar's Doodle The Friar's Doodle is a site-specific exhibition that looks at the history of the Monasterio de Santo Domingo de Silos outside of its monumentality, classifying the marks of daily life seen in the doodles and graffiti found on the cloister's columns. Watch video >> - marzo de 2010 Pierre Huyghe. La saison de fêtes In this video Pierre Huyghe comments on this project specific to the Palacio de Cristal, in direct relation to constant lines of work that develop repetition as a mechanism of representation. Enlace-45: Interview with Leandro Katz Summary of Enlace - 45 (18 January 2010), in which the Argentine visual artist and author Leandro Katz presented her documentary films El día que me quieras and Exhumación, explaining her vision of the relationship between art and politics. Ver vídeo >> - enero de 2010 |